My practice explores time as a material and transformation as a fundamental condition of existence.
Working with linen canvas, acrylic, oil, and real iron, I initiate processes in which natural oxidation becomes an active part of the artwork. Rather than controlling every stage of the image, I create conditions that allow matter to follow its own course.
Rust is not a symbol of decay but evidence of transformation. Iron does not disappear — it changes its state. Although each painting is sealed, the oxidation it embodies never truly ends, making every work part of a process rather than a fixed object.
Time cannot be seen directly, but it leaves traces. Through oxidation, those traces become visible. The surface records the interaction of material, duration, and natural forces.
Working with semi-abstraction, I avoid fixed narratives, leaving space for personal interpretation. My paintings do not represent change—they allow change itself to become visible.